Born in Madison in 1837, prolific landscape painter Gilbert Munger was especially renowned in Europe where he was made a Chevalier of the Legion of Honor in France and awarded medals by the governments of Germany, Russia, and Belgium.
Widely recognized in Europe for his peaceful French forest scenes, Munger also painted throughout America—but with far less renown.
As his biographer Michael D. Schroeder has noted, “Munger’s name and artistic achievements have been generally forgotten until recently. In his day he was a highly regarded painter in New York, San Francisco, and London. He socialized with leading scientists and artists. But like many artists of his generation he went largely unnoticed in the twentieth century. His rediscovery by scholars and collectors is a story in which the Internet has played an important part.”
In August 2017, the MHS received an unexpected gift from Michael Schroeder, noted Munger expert and author of Gilbert Munger: Quest for Distinction.
The untitled oil painting on a wood panel has been gessoed, as is typical. (Gesso is a mixture of plaster of Paris and glue, applied to prepare a surface for painting.) It is a very typical Munger scene of tall trees near still water. It is assumed that the scene is one of the many scenes that Munger painted in France in the late 1880s in or near Barbizon or in the nearby forest of Fontainebleau.
The painting, bought at auction by Michael D. Schroeder, came from an unknown Belgian collector. The painting was cleaned and lightly conserved in 2017 by CT-based art conservator Tom Yost, who discovered upon examination of the painting that the painting’s sky has been overpainted, quite a long time ago—not newly or even recently—which Yost could discern by the yellowing of the varnish and the composition of the paints.
It is possible that Munger himself may have repainted his entire sky, but we have no clear evidence or documentation of that theory. The second sky is quite well done and is not entirely unlike others done by Munger. In addition to its being a perfectly fine sky, Yost imagines that there may have been a very good reason for the first sky to have been covered or changed. The painting bears a very clear Gilbert Munger signature, identical to other Gilbert Munger signatures.
The MHS now owns a second painting by Gilbert Munger. It is a pastoral scene portraying a landscape in Cazenovia, New York.
The MHS also owns a cast-bronze bust of the artist, commissioned by Munger from a photo taken in Nice, France, in 1890. It was created by Italian sculptor Massimiliano (Max) Contini and is the only cast made from the original sculpture.